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Search results

  1. aznofspades

    Lit vs. Chameleon

    Anyone here see the free video on Jay Sankey's site for Chameleon? It involves the matchbook transforming into a card with matches stapled on the inside in the spectator's hand under the cover of a handkerchief. Except it's a normal card instead of a blank backed one. I'm not sure which one...
  2. aznofspades

    Twirl Change that Plays Big?

    How can you make the Twirl Change play big for a crowd of 50ish people in a semi surrounded setting? I've already come up with: Forcing a contrasting card Angling it up Thanks
  3. aznofspades

    Are These Good Ideas for Routines?

    Combine the Cellphone with the Invisible Deck. Borrow a spec's cellphone call someone on it and have the person on the other end name a card. Or you can do this on the spot if someone gets a call or a text during your performance. Don't do more than one trick where you apparently mess up or it...
  4. aznofspades

    Risk and Reward

    Randy: I thought it was just an analogy. If you are willing to put in the effort and money to building a car by yourself go ahead. Experiment. Take risks. Make your vision a reality. It will mean a lot more to you than if you just bought it. It's your choice. I was thinking more of like...
  5. aznofspades

    Risk and Reward

    Steerpike: I agree personalizing stuff doesn't necessarily mean its good. But if you honestly put yourself into it and make an effort then it's a starting point that you can work from as you refine it over time. Ok. I admit that I've just been repeating my ideal of filming live performances...
  6. aznofspades

    Risk and Reward

    Well then you would not be satisfied with it? It would mean that you are human. And that you can't build the perfect car on the first try. So over time you would refine it. And you would take the time to do it because you had invested a part of yourself into that car toward reaching your...
  7. aznofspades

    A GREAT podcast!

    I like the MNW because they interview interesting people. My favorite magic podcast is GoMagicGo. The hosts have a fun outlook on life, and their Hype of the Week segment is extremely informative and entertaining. Check them out on itunes or gomagicgo.com
  8. aznofspades

    Risk and Reward

    nexusmagic: It's not a classic pass, but if it accomplishes what you want and you are satisfied with it go ahead. I say one slang word and you get on me for grammar? It's an ideal, but I think it's something that people could strive for. To be as honest as possible. Be the change you want...
  9. aznofspades

    Risk and Reward

    Nexus Magic: If you practice a move wrong, but it still works for you, you have adapted the trick to fit your hands. Isn't that a good thing? You said it yourself, does that mean that there is something terribly wrong with the Magic market. Respected: People who the majority of magician's...
  10. aznofspades

    Risk and Reward

    I'm not trying to justify those of us that watch previews frame by frame meticulously with a notebook in hand to watch for a flash of a method. So then how would you demo a trick like Blizzard? A cut would be obvious, a zoom a little bit more subtle. I've heard that Blizzard is an effect that...
  11. aznofspades

    Card On Ceiling As a Stand Alone Effect

    Just go with whatever you think is natural. You could make a joke out of chasing the spectator around with the rubber band. Can we hear your patter, in English?
  12. aznofspades

    Risk and Reward

    I'm not trying to stop piracy. I'm saying that if you want to make an informed decision on a purchase so you don't get ripped off by a method that is impractical for you, reverse-engineer the method. It will help you creatively and in deciding on your purchase. Who knows? You might come up...
  13. aznofspades

    Risk and Reward

    No. But it's a simple step towards being original. There are definitely other ways to be original. Reverse engineering is just a natural part of brainstorming about the trick in terms of method. When I first see a trick if I'm interested, I also brainstorm in terms of presentation. I said if...
  14. aznofspades

    Risk and Reward

    Steerpike: Isn't that one being original is? Doing stuff your own way? I didn't miss it, I just don't think its irrelevant. You wanna explain? If you have faith in your product, it means you realize that you have a good idea and are willing to share it. You've worked out the kinks and...
  15. aznofspades

    Risk and Reward

    Yeah. Both choices are still possible. Unless it's an unreleased trick or something. But I'm saying that of the two, figuring out the trick instead of pirating it is better for magic and you. And a from a business perspective, not editing the demo down probably is quicker and cheaper. If...
  16. aznofspades

    Risk and Reward

    Randy: Would you rather have a bunch of perfect Dai Vernon clones that perform everything exactly as he did or some original people performing less refined tricks, but taking risks and trying new things? It's really your choice, but I like to try new things and experiment. I'm saying if you...
  17. aznofspades

    Card On Ceiling As a Stand Alone Effect

    Don't have them inspect the rubber band. Unless you think they're going to suspect the rubber band as part of the trick. I think therefore I am?
  18. aznofspades

    Risk and Reward

    Randy: I think people learn better if they work it out for themselves. They go through the trial and error themselves and in the process, work harder then those who just bought the DVD. If you are really that determined to get all the information that the creator gives, just buy the DVD in...
  19. aznofspades

    Risk and Reward

    Steerpike: I'm saying that all dealers should try being as upfront about their product as Jay Sankey is. I don't think he cares if you figure it out or not because his tricks aren't meant to be magicians foolers. Just cuz other dealers aren't as honest doesn't mean they're doing it...
  20. aznofspades

    Risk and Reward

    Randy: I think you should learn the BASICS of sleight of hand from a good teacher. But from then on, it's still ok to go back to others, but I think after that we should try creating our own stuff. Best: Buying the product from the creator to compensate them for inspiring you and learning to...
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