How To Get Gigs and Keep Clients: Part 6

Chapter 6. Marketing: Getting Your Name Out There

The point of effective marketing has a two fold purpose. The first of course we’ve discussed in nauseating detail; getting hired. The good news is we’ve saved the fun part for last. The second purpose of marketing is to get your name out there and get recognized! There are many ways to do this, and we’re going to cover them in this chapter!

One of the easiest ways to market to people is via emails. Simply send them a quick message about your next show and build your fan base through a grass roots opt in email list. How do you get a list like that? Simple, you grow it. Each time you perform, you bring a notebook with you. You make an announcement after your show asking people to sign up for your mailing list so they can receive information about future shows. Do this for six months and wallah, you have an impressive list.

Privacy Notice: Most people don’t realize this but there is a huge market out there for your personal data. Companies will pay big dollars to get a list of warm clients who have asked to receive advertisements about a certain subject. What you are generating is in business known as an “Opt In” Email List. I’ve made good money before selling these very lists to companies on a whole range of hot subjects- Mortgages, Loan Modifications, etc. Most people are aware that their information can be sold, and the one thing you don’t want to do is give them the idea that you will do that. Make a special mention either while you are asking them to sign up for your mailing list, or make a notation on the list itself that you will NOT sell their information. That when you get it, it is for your use only.

Posting Flyers. When you have a show up and coming and you want to get the word out about it, but you don’t have the money to take out an add in the news paper consider buying a ream of white copy paper which has about 500 sheets to it, and going to Kinkos. Give them a USB jump drive with a word document advertising your up coming show. Have them print copies, and then post them on street poles in affluent parts of your town. You will also want to focus on posting them in areas around where your show will be located. If you have any friends that work for a pizza parlor see if they will deliver them for you when their take out orders come in. The nice thing about providing Kinkos with not only the paper but the word document is they usually cut you a bit of a price break on printing.

Note: Before you start posting flyers make sure that it is legal to do so in your city. I know a friend who got fined $250 dollars per flyer he posted about his free show at a local theater. His total bill was over two grand by the time all things were said and done. An alternative to posting on street poles would be to stuff mail boxes or hang on house doors. Yes, it’s as tedious as a paper route but at least you won’t get fined.

Post Card Spamming. This isn’t exactly a method to be used by the magician working on a shoelace budget but it’s an effective one. This marketing method also goes by another name- Direct Mail. Companies like Microsoft spend millions of dollars each year investing in this form of advertisement. I know, I’m friends with the person that handled their account. If Microsoft can make an effective use of this method, why can’t you? First you will need a piece to be mailed. I suggest a post card. Quick, dirty, can be easily read, and all the important information is delivered in one small but powerful package. Take my advice, unless you have a degree in graphic arts and design go to a graphic artist and pay them to design your piece. You’ll want this piece to look as professional as you can get it. Next you will need mailing addresses. You can generate these the easy or the expensive way. I’ll explain both. I’ll start with the easy way. Go back to your telemarketing list you generated by using Yahoo, Google, or Yellow Pages online searches. Chances are good that next to the phone number you will get an address. Hand pick a small handful of addresses you want to mail to. Make sure you select the most promising prospects. Don’t pick the ones that you think will make you a lot of money! Pick the ones you are sure you can close. Mail your postcard to those addresses. Be careful about how many addresses you mail to. The price of postage when you are looking at bulk mailing can be expensive. The technique that you are using does have a technical term. In marketing it’s called “cherry picking.” A lot of business professionals will frown on this method. They will tell you it doesn’t work. In a numbers game, in the overall long run maybe they are right. But from my personal experiences I’ve found it does pay off. Since you won’t have the same budget as Microsoft, you can’t afford to not be choosy! The second method is contacting a list broker and purchasing an opt in mail list. Kind of like the email list you’re going to create, however this one is of physical addresses. Most of the time you will pay a certain amount per address, and some higher end list brokers will want you to purchase lists in the thousands. The final price for a opt in direct mail list could range from 500 to 2000 dollars depending on the criteria. I don’t advise this option for everyone, but if you’ve got the money, it’s worth it.

For those of you who want to use a list broker, I’ll break down your target demographic for you. This list criteria is for a Consumer. The Consumer venues are Private Parties, or Special Events. Bear that in mind when designing the piece to send to them. You will want to highlight aspects of your act that appeal to that venue. Chances are good you won’t want to work too far abroad if you are just getting started so set your geography to 100 mile radius around your city zip code. You are looking for on the output the following details. Name and Address. You will want the output formatted as a Microsoft Excel file. The output is how the data file is delivered to you. The most common delivery method is email. Excel is the most common format. It is also the easiest to use. The selects you want are: Known Responders (people who have used a credit card to purchase items off home shopping networks, catalogs, or the internet. Why is because they are impulse buyers, and are likely to respond to a good mail add.) Ages between 18 – 65. Incomes over 25K. (that way you know they will at the least have some money in order to pay you with.) IF you can get a list of theater, magic, or entertainment enthusiasts from your broker even the better. Other wise you may have to model that data around hobby interests being cultural arts. Make sure that the data is scrubbed against the National Do Not Mail List, and updated frequently for accuracy.

For a business list you will want to focus on a different set of data. Business lists are slightly more expensive than consumer lists if for the only reason that business data isn’t likely to change as much, thus for guaranteeing a higher rate of accuracy. For business lists you will want the following demographics. Geography should stay the same, about a 100 mile radius around your city zip code. Again, if you are able to perform abroad then change the geography accordingly. Outputs you will want Name, and Address. Output should be Microsoft Excel file. Delivery method should be email. Your selects should be Event Coordinator where available. Business Owners, CEO, or General Manager. Multiple offices, annual sales over 1 million, with more than 15 employees. This will give you a list of businesses that will have the money to pay you to do a show for them. You may want to focus on a specific industry such as Food Service. If you don’t specify a specific industry you will get a list of EVERY business within your geographic area that fits that description until the order amount is filled. When you get your list, you may not what exactly their title is, but you will know they are one of the selects you chose from.

Note: You can also purchase email lists by using the same criteria. Emails are cheaper in bulk, but less effective due to common place, aggressive spam blockers.

(To Be Continued)
 
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Most companies that sell you the data won’t handle the mailing. You will either have to do that yourself or find a mail house to do that for you. Sometimes your graphic designer can do that for an additional fee. Also a side and most interesting note is over time you can also build up your own effective Opt In Direct Mail List too! Keep a note of every company or client that asks you to “mail them some info.” Earmark or flag that file information and store it in a separate database. Within a year or so you’d be surprised to see how many contacts you’ll have! As a last thought, double check with your local authorities, post office, or court house to make sure the area you live in doesn’t require a bulk mailers license before you start sending out your postcards in large numbers.

Magic Clubs and Associations. It is just as important to maintain a network of connections with members of your own fraternity as it is with the general public. If for anything else, it will give you a better connection of people to bounce ideas off of or replace yourself should you not be able to make a gig. It also will give you a good idea on who your competition is. I recommend joining at least one magicians club. The top three big ones in the USA are: The International Brotherhood of Magicians (IBM), The Society of American Magicians (SAM), or the Academy of Magical Arts and Sciences (The AMA) Also known as the Magic Castle. While all three certainly have their credits, I strongly urge membership to the AMA. It looks good on a resume.

Respecting Someone’s Work vs. Being a Fan. I want to take a moment to focus on a very important subject that has been drilled into me by my mentor. If you have any aspirations of making it anywhere in the magic business above and beyond doing the occasional gig in your home town then you need to get your head in the right ball game when it comes to other notable talent in our field. I’m talking about the difference between respecting someone’s work and being a fan of theirs. A fan is short for ‘Fanatic.’ If you think about it, Fanatics are creepy. Imagine how you would feel if someone approached you in public, interrupted your dinner with your family, and told everyone you are sitting around that they have every bit of work you’ve ever produced! Sure the first time might be cool, but day after day that stuff will get old. Fanatic is just a polite word for “crazy stalker person.” If you really want a good example, watch the news sometime when a celebrity is seen out in public. Watch how the fan girls and boys flock around them hoping to get a scrap of attention. Do you –really- want to be counted in their numbers? What you want to be is a colleague of someone. Then you are on the same level as they are. You are a professional sharing the professional world of magic with them. If you admire their work then you are a colleague. Lets look at two very different approaches to the same situation. First, The bad: “Hi Mr. Copperfield! I’m your biggest fan and I loved your show! I have always wanted to be a magician just like you and I’ve worked hard at it every day!” Sure it seems innocent enough, but it is what a fan would say. The professional approach: “Hi Mr. Copperfield, I really admired your production of ‘Flying’. I think you had a good set, and I wanted to wish you congratulations.” I never used the word “fan”. I complemented the artist on a job well done, and informed them that I thought highly of their work without over extending myself. Remove the word “fan” from your vocabulary. Smack yourself across the face if necessary until you’ve lost the urge to utter that poisonous word. Let the laymen be the fans, -you- are a working professional!

Online Social Networking Websites. We’ve all heard of Facebook, Myspace, Youtube, and many other sites like these. In fact we should all have a membership to them! If anything it gives you a tool to show people who you are in a glimpse. They can see your pictures, your videos, read your marketing Biography, catch news feeds from you, get bulletins about upcoming events or product releases, share pictures they took of your performance with you, and see the other magicians and people you are associated with. Do not underestimate the power of this social networking opportunity! However this is a double edged sword. Do not publish anything that you don’t want the public or any other magician to read. I highly recommend that you hold memberships to between two and three sites. Unfortunately one site isn’t a fix all solution. If only because the people you are networking with won’t all use the same one site. You’ve got to be flexible and able to reach them on their level. Also as a side note. These social networking pages are a public page. They should ONLY be used to further your public image and profile. You should never post private blogs about your life, your friends, or your family on them. The language you use should be professional and away from net shorthand, leet speak, slang, or any other sub form of communication. They should be well written, and formatted. Like diapers, they also should be changed and updated to keep them fresh. Do not add on unnecessary programs such as games or other utilities, as it lessens the professional appearance of your profile page.

Youtube. The potential for good use of websites like Youtube in our business is amazing. It gives the performer a chance to archive video footage of their acts, single effects, and otherwise. A lot of times, it is a wonderful tool to have when talking to a client on the phone (especially a cold call) and you want them to see something right now to give them a better understanding of who you are. All you have to do is point them at your Youtube account and there you go! The problem with these websites is the over abundance of bad or poor quality performances typically given by teenagers or young adults focusing around what ever the newest trick that is all the rage. The bad news is there is next to nothing you or we can do to stop the amount of videos that are already on the net. The good news is we have an option to not contribute to them. I encourage us all to exercise that option as much as possible. Now for some quick Do’s and Don’ts. Do Make sure you actually review your videos before you post them. Do Edit them when needed. If you wouldn’t want an potential client to see the video, or a magician you respect, then chances are good you shouldn’t post it. Do Re-film it if needed. Do Make changes as needed, put it on the shelf, sleep on it, watch it again the next morning before deciding if it’s ready to be posted. Your video doesn’t have to be the next Emmy award winning production, but Do make sure it has good lighting, speech, timing, effect handling, a clearly conveyed message, and good general content. Don’t post a video of an effect you just got three hours ago, or are in the process of learning. Don’t post videos of exposures. Don’t offer to or execute trades for magical effects you don’t have. Don’t download video’s of material you can buy in the market place. If used correctly, websites like Youtube offer an invaluable service to the undiscovered magician. After all it can put your performances in front of latterly millions of people that otherwise wouldn’t have a clue who you are!

Note: Just a note for people who are using Networking websites like Facebook, Myspace, or Youtube. Make sure that your profile name has your name and something to do with magic in it. It makes it easier on the client if they want to search you out on their own. If your social networking pages of choice don’t already reflect this, take the time to open up a new account and make it so. Also your email address should follow the same format. It should be your name and something to do with magic @ domain.com If the email you are giving your clients doesn’t fit that profile, go to Yahoo, Google, or MSN and open a free email address and make that change. It will look more professional that way.
Example For Networking Site:
Good: myspace.com/themagicof{yourname}
Bad: myspace.com/theelitemobster1999

Example For Email:
Good: themagicof{yourname}@ yahoo.com
Bad: hockygod416@ yahoo.com

(To Be Continued)
 
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Websites. Owning your own website isn’t as costly as it may seem. There are companies out there such as GoDaddy.com that can host a cheap website for you fairly easily. The important thing though is to have one. Websites are like a digital promotional kit that can be accessed at anytime, anywhere, by anyone. A professional website should be built with everything in it as a Promotional Kit with the addition of two things. The first being a News Corner. A place where people can easily and readily access information about what projects you are working on and where they can see you next. The second thing is a store where they can buy your merchandise. If you don’t have any, go to caffepress.com and create some T-shirts or coffee mugs with your logo or name on it, and link that to your site. Anything you can do to turn an extra dime is a good thing! If your site gets big enough you may want to include a bulletin board similar to the ones on Ellusionst.com or Theory11.com to give your fans a place to openly chat about your shows, and what not.

News Letters are an awesome way of keeping in contact with your client base. It lets them know what you are doing, where you are performing, and what’s new with you. News letters can be sent weekly, monthly, or as frequently as needed. The most popular delivery method is emails, and the popular frequency is monthly. If you are considering doing a news letter, and there is no reason why you shouldn’t, then make sure your website has a forum where potential clients could sign up for it on.

Posters and Cardboard Cutouts. When you are performing at a venue, consider having a Poster, flyer, or cardboard cutout made with your image on it, and information of who you are (real brief. Like a sentence or two.) and when you will be performing there. (Make sure to put the venues name and address on the advertisement. They love that.) Have the venue post the flyer, or poster on the widow, door, or front lobby area. If you use a cardboard cutout, have it located in the front lobby area or just outside the front door.

Using Other Venues To Your Advantage. Make sure you keep a look out while you are out shopping in your local city. Many businesses such as grocery stores and libraries have bulletin boards where community members can post information about events that are going on. It’s free advertisement! Make a list of all the places you can find that do this. Plan a route to all the locations using mapquest.com. Then budget a day out of your week to check each of these locations to make sure they have a healthy supply of promo flyers, business cards, or postcards handy for your services. A lot of times you can get just about any business to advertise for you if you ask them nicely, remember to use the line about “starving artist.” It really does work wonders!

Publicity Stunts are a powerful tool for generating awareness of who you are and what you do in a quick way. Publicity stunts can take the form of many things and can be as simple as a mental prediction or extravagant as an escape from a straitjacket. What ever you decide to do talk to a local business to see if they would be willing to let you perform the stunt in their lobby, place of business or parking lot. They may even be willing to give you money since you’ll be bringing people to their location. Submit a press release to the local media (more on this later), and make sure you have lots of promotional material to hand out before, and after the stunt. Think big!

Print Adds in local news papers can be a great source of advertisement if you can afford them! You’ll want to format a quick advertisement because the longer they are the more money they cost. Make sure to use buzzwords like “Magnificent, Marvelous, or Wonderful” to attract people to see your act, and don’t forget to include the information of where you are performing next.

Press Reviews. Nothing screams professional more than getting the press to visit one of your shows and then write up a review on how they liked it, then publish that review in the next published publication. There are two ways of getting the press to visit your show. One is to send them a press release and hope they find it interesting enough to come, (we’ll talk about press releases later) or You can simply pay them a small fee to show up and review your show! It may cost you a little bit of money but its worth it. Some news papers will also run a small add for you for free if you pay for a review. Just food for thought.

Radio. It’s fairly easy to get on local radio stations to advertise upcoming local events. Radio stations usually like to promote community gigs and sometimes may not charge you for that. They reach a lot of people, and its worth it. Sadly, not all the best advertising is free. Check out Jacktivities at www.jackfm.com for ideas.

Convention Panels. Someone I know from a magicians online forum had brought up a very valid point about conventions that I had managed to overlook during the writing of my venues chapter so I wanted to make mention of it here. Conventions can be a powerful tool for marketing if used correctly. It is a cheap way to get your show in front of a lot of people for little investment. Sometimes even free. Word of Mouth is one of the best and most effective advertisement tools anyone could ever use, and conventions utilize this aspect and if you combine it with printed promotional material you’ve got a powerful combination. Conventions usually span the course of several days, and while they usually have one or two big events planned for each day they still need a lot of activities to fill the rest of that time. People pay good money to get into conventions so the organizers usually want to make sure they get their monies worth. One of the activities that they do is called “Panels”. Panels are short programs between thirty minutes and an hour long where an aficionado from a subject usually related to the convention gives a presentation and then hosts a question and answer sequence afterwards. In some cases conventions may just be glad to have the idea of a magician doing a show panel and ignore the fact that it has nothing to do with their convention subject! Go to your local fair grounds, or convention center website or city homepage online to look for conventions near you. Or you can go online to Yahoo or Google and search out conventions for the following subjects: Anime, Gaming, Harry Potter, Magic, Marketing, Sci-Fi, New Age, Metaphysics. Most of those conventions target demographics will cover the age ranges of the people you will most likely want to entertain. Also the subject mater of each convention lends itself nicely to a magic show anyways. Thank you Steerpike for bringing this often overlooked gold mine to my attention.

The Show Down. I’ve used this effect before and it works. Get a buddy of yours to help you. Go scout out a street corner or location that is frequently traveled by the general public. Go talk to the local grocery store owner or manager and see if you can use their parking lot to do this in. They are usually good about letting the Boy Scouts or Girl Scouts hold their cookie drives, so why not a little magic? You are going to busk for tips. Read about Busking in my Venue chapter if you haven’t already. Go to the site first, and perform there for tips for an hour or two, then have your friend show up and set up shop next to yours. Have him do the same thing. I should make a note of something here. You have two ways you can present this. The first is if he sets up litteraly five feet from you, then the audience may be aware that you two are working together and they could be encouraged to tip their favorite performer. It is kind of like a buddy act in that respect. Or he could set up a ways from you but still be able to be within the sound of your voice. The audience may assume that you two are actual competitors. Try both methods and see what works best for you. The idea of the act is the both of you “compete” for tips, by playing off each others performances in an ever constant effort to “one up” the other. At the end of the day, you both leave (Not Together!) meet up at your place, and split the tips earned. This will require that your friend be a magician, but if all else fails you can probably teach a buddy a few tricks. People love drama. People love reality shows. This combines them both into a highly interactive and real skit.

(To Be Continued)
 
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Gift Giving. A good friend, and mentor of mine Aye Jaye (www.ayejaye.com) has some wonderful insight on this subject. He talks about it in detail in his book “The Golden Rule of Schmoozing” so I won’t go into too much detail here. I can’t do the subject nearly as much justice as Aye Jaye can. The only thing I can recommend though is that you buy his book and read it. Do more than that, understand it and learn from it.

The basic idea is that people love getting gifts! No matter how small or seemingly stupid they are. It is a wonderful way to warm people up and win them over to your side, and it can be done for little money too! One of my favorite tricks is to give a gift basket of goodies to a venue that I’m trying to win over. First, I make a trip into the venue to scout it out ahead of time. I don’t make any announcements of who I am, I just take note of who works the front desk, and the type of employees. Guys vs. girls, number of employees, etc. My next stop is Michaels crafts where I pick up a few basic craft items. I can usually spend about $20 bucks and have enough goodies to give to five different venues. A little does go a long way. First thing I grab is a cheap basket of some kind. Next, tissue paper or Easter grass for stuffing. I go get a scented candle, and a couple of jumbo bags of assorted candies. The last thing on my shopping list is some kind of coloured cellophane and a bow. Just like magic, EVERYTHING is all about the presentation.

Once I get home I build the basket by putting the stuffing in the bottom first, then I give a generous assortment of candies, and add the candle in as a center piece. I place a folder with my promo information inside the basket as well. Wrap the entire thing in the cellophane slap a bow on it, and staple my business card to the bow and I’m good to go. I should point out that you don’t have to use a huge gift basket. A small one or even a small gift bag will also work.

Now when you revisit the location, give them the bag, say this is for you and the employees here. Smile and walk out. I promise you that when you cold call them the next day you’ll get amazing results!

Press Releases are a pseudo-news story designed to let the editor of a publication know how newsworthy a certain act, product, service, or person is. Press releases are always written in third person, and usually sent by email. Though fax, snail mail, or part of a promo kit or pitch letter is also acceptable. Press releases should be printed on your letterhead, if this isn’t possible then you should use your logo. Your name, address, and location address, and phone number should all be printed clearly at the top of the page. PRESS RELEASE should be spelled out in all caps, and centered in bold. The press release contact person(s) name should be underneath the wording and all correct phone numbers printed clearly underneath. Next you want to give the date of the release. If the release is effective immediately then say for IMMEDIATE RELEASE on the left margin directly above the title in all caps.
Next you will want a headline or title. It should be centered, and in bold. The heading of the press release should be interesting enough to capture the attention of the journalist who’s reading it. The title should be short and snappy. The journalist who’s reading it should want to read on after reading the title.

Next comes the body. The body is where all the interesting details about the event goes. The body begins with the date and city for which the press release is originated. The body itself is pretty basic you will want to explain who you are, what you are doing, when it is being done, where it is being done, and why you are doing it. The first paragraph of the press release should contain in brief detail what the press release is about. The second paragraph explains in detail who should care, why they should care, where one will find it, and when it will happen. Also include a quote that gives the release your personal touch. The third and usually last paragraph is a summery of the release and further information on who you are and has your contact information clearly defined.

The content of the press release beginning with the date and city of origin, should be typed in a clear, basic font. Times New Roman or Arial is a good choice. The content should be double-spaced. If your press release exceeds one page, and it shouldn’t, the second page should indicate “Page Two” in the upper right hand corner. When you are done writing the release end it with three # symbols centered directly underneath the last line to indicate the end of the press release.

You can download press release templates for Microsoft Office Online at this address here. http://office.microsoft.com/enus/templates/CT101439021033.aspx

I hope you use this information to get your name out there! I hope to see your name in lights someday! And above all I hope that you make a successful career out of magic!

Click Here for Chapter 7: Performance At The Gig
 
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One of the easiest ways to market to people is via emails. Simply send them a quick message about your next show and build your fan base through a grass roots opt in email list. How do you get a list like that? Simple, you grow it. Each time you perform, you bring a notebook with you. You make an announcement after your show asking people to sign up for your mailing list so they can receive information about future shows. Do this for six months and wallah, you have an impressive list.

Funny story I'm telling more for my own amusement than anything else.

Go to Amazon dot com and search for a book titled Paint It Black by Voltaire (the funny Goth dude, not the French author). Within is a guide to turning a regular journal into an ancient, spooky tome. He made one to gather names and email addresses of people who attended his concerts, calling it the Book of the Dead.

If you have that kind of persona and audience who appreciates that sort of humor, give it a try. Otherwise, use the same techniques to make a Harry-Potter-esque sort of tome. Again, if you think that kind of thing works for you.

Anything you can do different helps.
 
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