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Magic and creativity

Mar 15, 2011
46
0
I believe that more people should be as creative as Calen Morelli. Granted most of his material I personally will not use, however, his out of the box thinking, and sheer inventiveness are to be envied. I am personally very picky about what i put into my arsenal of tricks, most of it is my own sleight of hand centered stuff with cards and a little bit of coin work, however, it is less how u feel about the trick then how the audience feels, I suppose. so I may eventually get some of his material. Anyway, what are your own personal opinions when it comes to magical creativity, magics current top innovators, or even your own self created material?
 
Aug 31, 2007
689
12
34
Lacey,Washington
Well some that are more creative than others.

And that's not a bad thing.

For example there is Microsoft..then there are the people that USE Microsoft products
There is Facebook....then there are people that USE Facebook
There is no problem on being on either side of the mirror.

I don't see myself as creative as others. I can take a trick and if I like it enough I can make it my own and take the handling in my direction. But not everyone can just create an amazing effect like some. That's why there is a market for magic effects. Theory11, E, Blue Crown, etc.

I'm very very picky about the tricks that I master/perform. I have a list of people I look up to and their creations fit my casual performing style
Sean Fields, Lee Smith, Craig Petty, John Guastaferro, and others.

I don't have my OWN original creations but I do have my OWN variations on things..and that's good enough for me.


I am more on the side of actually going out and performing. Just me. And I'm OK with it.
I'll leave creating for the more creative and support their material.
 
I have come to the conclusion that people who create magic tricks fall into 2 categories- 1. Those that are just born creative, which I think is the case with people like Calen Morelli... & 2. Those who choose to be creative later in there magic career & learn how to be creative, & start developing it like a skill, someone like me. So the good news is, no matter which one you are, if your not naturally creative, I believe you can learn creativity, like a skill. You just have to say to yourself "I CAN learn to be creative." & if you want it bad enough, you can make it happen. Wether you believe you can be creative, or believe you can not, you right. So instead of reading magic books of OTHER artists creations, I am now reading material on how to be creative, & it has helped me tremendously in coming up with ideas. So one day, after extensive research as well as consulting with other magicians on how to be creative in magic, a dream project of mine would be to put out a DVD on Creativity in magic, which would gaurantee that no matter how un-creative you think you are, after watching it you will be able to come up with AT LEAST one original creation, if not much more, a DVD I wish existed when I first started out in magic. It would cover not only ideas for creating effects, but presentation creativity as well. It would also be the core of any future lectures if & when I got that opportunity. So I KNOW that each & every magician here can create something new. Step 1- You just got to want it.
.
 
Mar 15, 2011
46
0
That is exactly the kind of attitude I want every magician to have. Too many magicians have grown complacent with withered old routines, not even putting new spins on them, so that just about every magician seems to be the same to our unfortunate spectators who cant even remember our names after a performance. Each magician should be a unique experience, experience being the key word. Thanks for hitting the nail right on the head and have you read the Amateur Magicians guidebook? If not, get it. I would also like to see some of your own creative works as you strike me as a person who has worked very hard on the subject of magic.
 
Hey TricksterG!- Didnt know if you were responding to me or not but.. probably one of the 1st magic books I ever read was The Amateur Magician's Handbook, great book! I guess aside from magic itself, lately I've just grown a passion for magic creativity, as well as showing other magician they can be creative too, they just lack the light that show the way. & than there's nothing like having a site like this to help keep you inspired. Like I said before, if Calen Morelli can do it everyday, we certainly can do it at least every once in a while. & yes, I will be filming some of my ideas real soon & will post the links here.
 
Jan 20, 2009
347
2
California
I agree magicians need to be more creative and for most magicians's not all
but most that comes once they get older. and i think one of the reasons is
because magic easily avaliable to to anyone. when i started 20yr ago.( im old )
we did not have youtube and magic websites. and everything most magicians have
today. we had books wich i feel is still the best way to learn, you are not copying
someones presentaion on a dvd or download you make it your own. and personally
i think tommy wonder is by far the most creative magican that we have had. the man's
brain just did not work like anyone elses.
 
Jun 10, 2010
1,360
1
LOL at everyone thinking Calen Morelli's the end-all, be-all of creativity in magic.

Some of you need to hit the books.
 
Jan 20, 2009
347
2
California
LOL at everyone thinking Calen Morelli's the end-all, be-all of creativity in magic.

Some of you need to hit the books.

he has some good stuff out there but it does not compare to the
minds that came before him.
 
Saborfang17-

No one said Morelli is the end-all, & just because I used only his name as an example, doenst mean we're all un-aware of all the other creative magic genius's out there, such as Chris Kenner, Marco Tempest, Derren Brown, Sylvester the Jester, Jay Sankey, Danny Garcia, Paul Harris, Tommy Wonder, & on & on & on. So dont assume that we should "hit the books" because we dont mention every name every time in every post. I could mention everyone of my favorite magic creators, but that is a whole other topic, as this topic is about creativity in general, not "Who are your favorite creative magicians."
 
Jun 6, 2010
796
0
Nashville, TN
Well if we're ALL spending ALL of our time focusing on creation, who's the one focusing on performances?

There are some people who make a living off of creating, like Daniel Garcia. But, there are also many magicians who don't have that gift of creating who make a living off of performing the created tricks.

It's a mutual dependence. Without performers, creating would be useless. Without creators, there would be no performances.
 

RealityOne

Elite Member
Nov 1, 2009
3,748
4,079
New Jersey
I actually think that most people should stop focusing on trying to create magic. The problem is that many (but not all) dont have the background knowledge to do this. If your learning consists of downloads and DVDs, you're not ready. If you havent read Tarbell or 10 books on card magic, you aren't ready. If you havent been performing for a couple of years, you aren't ready.

But the major problem is that people focus on trying to create rather than on learning and performing. Ithink focusing on learning and performing will make you a better magician.

In many ways the desire to create effects is really just an ego thing, especially because it is usually with the desire to have it sold... "look at me, I create magic. " Does your audience care if you create magic? I didnt think so.
 
Sep 1, 2007
723
2
I agree with Reality. There was a quote that went around twitter recently that said, "Young magicians used to dream of having a show, and performing. It seems now they dream of having products, and lecturing."

This is the ugly truth in magic. Interestingly enough, Calen very much agrees with that quote. He performs 99% of what he's created on that blog, whether he posts a live performance of it or not.

I think Calen has done a lot to hone his magic creativity. I think a big reason he has been able to do it for this long is that he didn't allow himself to read so many books and watch so many DVDs. So when he's faced with a problem, he can come up with an original idea. Your brain will take the path of least resistance and go to a method you already know will work. It can be extremely difficult to get around that.
 
RealityOne,

How come you are discouraging people by saying you shouldnt create? We should be encouraging & supporting each other here, not listing reasons why you shouldnt be doing something. There might be a young, impressionable magician who could be the next Paul Harris & invent some innovative magic that the magic community could benefit from, but because of listening to guys like you, be totally discouraged not to try, & wind up not creating anything, thus slowing down the advancement of the art of magic. & isnt performing & saying "Hey, look at what I can do!" an ego thing too? & all of a sudden, creating magic & lecturing is a bad thing? So I suppose everyone who sells magic & lectures is "wrong"? & part of creating tricks is going out & testing it out on people to see if it gets great reactions, thus GOING OUT & PERFORMING. So anyone out there who has ever thaught of creating, please dont listen to all the negativity. The people who say they are content with doing other people's work, or that you shouldnt create, are people that themselves believe they cant create, or choose not too, which is fine, there is nothing wrong with that. I mean, could you picture someone like Danny Garcia saying to you, "No, you shouldnt create because you dont have this, & need to read this 1st, & you should do this for so long, blah blah blah."? I dont think so. If you want it, you can do it. If you believe you cant create & arent creative, you are right. If you believe you can create & are creative, you are right. & as I said, either you have the gift of creativity, or you dont, but even if you dont, you can still learn creativity. It will surely take some work, but anything worth having isnt just given to you. & its nice to be able to make a living & getting paid to perform, & its also nice to be able to make a living & get paid for using your mind & selling tricks. I just wish 10 years ago someone told me I can create my own stuff if I really wanted too, I'd have so many more creations under my belt & be way more creative than I am now. So if you want to create & have something original to offer your audience, GO FOR IT!! If you wanna create & be able to make a living using your mind which not too many people can say they do, GO FOR IT!!! I believe in anyone who believes in themselves, & I believe in you guys, the future of magic. If you can dream it, you can achieve it. When it comes to magic, I think the LAST thing anyone here should discourage is creativity. So go out, invent, create, & PERFORM, as your audience is your best teacher. YOU CAN CREATE!!!!
 

RealityOne

Elite Member
Nov 1, 2009
3,748
4,079
New Jersey
How come you are discouraging people by saying you shouldnt create?

You misunderstand what I said. I didn't say that people shouldn't create, but that people shouldn't FOCUS on creating, especially when they don't have the necessary background knowledge or performance experience.

We should be encouraging & supporting each other here, not listing reasons why you shouldnt be doing something.

I disagree. We should be providing people with advice that will make them better magicians. Encouraging someone to do something that they are not prepared to do will distract them from learning what they need to learn and will ultimately lead to them becoming frustrated because after 40 hours of trying to "create" something they realize that they've reinvented the Braue Reversal. That 40 hours could have been better spent studying Expert Card Technique and learning the Braue Reversal and much more.

There might be a young, impressionable magician who could be the next Paul Harris & invent some innovative magic that the magic community could benefit from, but because of listening to guys like you, be totally discouraged not to try, & wind up not creating anything, thus slowing down the advancement of the art of magic.

Again, I disagree. If the next Paul Harris is out there, the best thing they can do is develop a strong foundation in magic before trying to invent something. If you look at Paul's effects, many of them are based on effects that were previously developed or new adaptations of older methods. I think someone is more likely to become totally discouraged about trying to create something and failing because the don't have the requisite foundation. As for the advancement of the art of magic, the best way for it to advance is to build on what has been done before. Magic doesn't advance by beginners re-inventing the wheel.

isnt performing & saying "Hey, look at what I can do!" an ego thing too?

Unfortunately, magic is presented that way too often. Magicians should present magic as "hey, let me entertain and astonish you." The audience, not the magician, should be the focus. But that is another thread.

all of a sudden, creating magic & lecturing is a bad thing? So I suppose everyone who sells magic & lectures is "wrong"?

Now you are using hyperbole to make what I said seem ridiculous. Would you go to a lecture advertised as showing "new, totally original, impromptu, fully examinable, commercial and awesome effects" by someone who has been doing magic for 6 months and has only performed for a webcam? I didn't think so. I've been to enough lectures and talked to enough magicians to know that the people who have strong material developed that material BECAUSE they had a strong foundation in learning and performing magic.

part of creating tricks is going out & testing it out on people to see if it gets great reactions, thus GOING OUT & PERFORMING.

Yes, but that is only part of it. You have to practice, test, refine, repeat and then keep repeating until it becomes strong. Talk to people who have created strong magic and they can tell you the refinements and changes their effects have gone through over YEARS of performance that took place before they released the effects.

Unfortunately, people seem to think that if you can perform it for a webcam once it should be the next amazing effect sold as a download.

The people who say they are content with doing other people's work, or that you shouldnt create, are people that themselves believe they cant create, or choose not too, which is fine, there is nothing wrong with that. I mean, could you picture someone like Danny Garcia saying to you, "No, you shouldnt create because you dont have this, & need to read this 1st, & you should do this for so long, blah blah blah."? I dont think so.

To the extent that you are inferring that I believe that I cannot create... you are wrong.

Also, I suspect Danny Garcia and most other respected artists who create would agree with me. The creative process is one that requires the imagination of an effect, the development of a method and the incorporation of the method into the presentation. The imagination of an effect is easy - we all can come up with ideas of what we would like to accomplish. The development of a method is more difficult. It requires identifying the various possible methods and selecting the best method. If you don't have the requisite foundation, you will not be able to identify the possible methods. The incorporation of the method into the presentation also is more difficult. Without having performance experience you don't know what justification, misdirection, subtleties and convincers to use to strengthen the magic.

Anyone who subscribed to EMC should go watch the Barry and Stuart lecture on "Things We Learned So Far." They state that one of the reasons they were able to "create" the effects they perform is that they had read Tarbell and had built a solid foundation. At EMC, Max Maven presented an effect that was a variation of a principle described in Annemann's The Jinx. Read any book by John Bannon and he lists the sources and inspirations for his materials and explains how he improved those techniques or applied those ideas in a different way.

If you want it, you can do it. If you believe you cant create & arent creative, you are right. If you believe you can create & are creative, you are right. & as I said, either you have the gift of creativity, or you dont, but even if you dont, you can still learn creativity. It will surely take some work, but anything worth having isnt just given to you.

Whether you believe you are creative or not doesn't matter. Creativity isn't a gift, it is a skill. It requires knowledge, experience, imagination and analytical thinking (including the ability to connect seeming unconnected information to develop new concepts and ideas). Like any skill, it must be learned and practiced.

So how is my telling people to do the work and read Tarbell and lots of other magic books and getting experience performing before attempting to be "creative" different than your statement "it will surely take some work" except in detailing exactly what needs to be done?

its nice to be able to make a living & getting paid to perform, & its also nice to be able to make a living & get paid for using your mind & selling tricks. I just wish 10 years ago someone told me I can create my own stuff if I really wanted too, I'd have so many more creations under my belt & be way more creative than I am now. So if you want to create & have something original to offer your audience, GO FOR IT!! If you wanna create & be able to make a living using your mind which not too many people can say they do, GO FOR IT!!! I believe in anyone who believes in themselves, & I believe in you guys, the future of magic. If you can dream it, you can achieve it. When it comes to magic, I think the LAST thing anyone here should discourage is creativity. So go out, invent, create, & PERFORM, as your audience is your best teacher. YOU CAN CREATE!!!!

So, if you have been doing magic a couple of months, have three downloads and bought Royal Road to Card Magic and haven't read it, by all means go out and create. Chances are that it will not be original nor entertaining. If you look at most of the videos in this forum titled something along the lines of "New Effect I Created" you will see that I am correct. People think they can create and then end up wasting time developing something that is generally weak or something that has already been created.

I'm not discouraging creativity. I actually encourage people to use their creativity to develop patter, routines and shows. I encourage people to tweak effect to make them stronger or to make them their own. I'd discouraging creativity for the sake of saying you've created something. It seems to be some sort of status badge on the forums. Everyone wants to seem like Danny or Wayne or Aaron without putting in the work.

And you know what, if you read, practice and perform like I recommend, creativity will come to you -- much more than sitting in your bedroom trying to come up with something new based on a blank slate.
 
Jul 13, 2010
526
34
I agree with RealityOne. I just want to add that the process of creating itself is positive because it forces you to THINK about a process/effect/performance. You will learn WHY something is constructed the way it is. Sometimes it´s better to know what DON´T work to appreciate why something works better or is the best solution.
Constantely thinking about it will offer you new insights. You don´t have to come up with something new. You don´t have to be creative for the sake of inventing a new effect/method whatever. The journey is its own reward.
What makes some people dislike these inventors is when their intention is heading in a wrong direction. Some inventors don´t do it for their own mental gain or to enhance the art of magic, they just do it to distinguish themselves (or just want to make a fast buck).
 
Last edited by a moderator:
Aug 17, 2010
411
4
Totally agree with RealityOne - the insistence on creativity and originality are, I think, detrimental and largely responsible for the somewhat low level of craft and for most bad magic.

Instead of learning and performing great routines, people are being told to be original and creative before they are equipped to do so. A solid foundation and level of craft is required first. An artist has likely drawn a million bowls of fruit, been taught how perspective works, has read up on colour theory, on composition, on anatomy, and likely has a knowledge of the great works of their field. What's more, a serious student has a deep understanding of what makes things great. What makes magic different than this, or any other field?

If you've never performed a great routine, how will you know what one feels like? How will you know what makes it tick?
 
OK, Im not saying that you dont need sound, magic background knowledge before creating. Obviously the more you know about magic, the more tools you have for creating. & having performing experience developing routines is essential as well. Im sure there isnt a single magician who creates tricks who never picked up a magic book or watched a video before or learned a single effect & just woke up 1 day & said, "I know nothing about magic, I think I will create some new magic." So chances are, anyone who decides to invent something probably already has been doing magic for awhile & knows enough to GET THEM STARTED. But you say, "If you havent read this, & havent done this, you are not ready." All I'm saying, if you say to yourself, "I wanna invent something.", than at that moment, you ARE ready, I dont care how much OR how little you know about magic. If you want to invent a new concept bad enough, you will find away, & if it consists of having to do dome resaerch & go out & read the books you recommended, which I would also recommend, than so be it. So just because you only have a "few downloads" & "2 magic books", its not about quantity of magic knowledge, & that doesnt automatically mean that you shouldnt or wont be able to create something It's about wanting to make something of your own & the strong enough desire to do whatever it takes to make it happen. & you pretty much repeated what I said about creativity being a skill as well as a gift, something that you CAN train yourself to be through time & hard work which I already pointed out. So yes, there will be times when you have a strong desire to create something, & it could take months, perhaps even years before putting it all together, as you might need to read through a hundred magic books & perform a thousand hours before figuring out all the mechanics, so no, it mostly always doesnt happen overnight. & for the magician creating just to make money with a bad trick, than they wont make much money, because know one wants to buy a bad or mediocre trick anyway. But there could be a rare instance of luck for the magician creating for just money, so in one sense, it wouldnt matter what the motive is behind creating a trick. If its a good trick, its a good trick, & if it sells well, & its something you would actually buy & even put in your own proffessional reprotoir, would you even really care what the motive was behind why it was created in the 1st place? However, if the person is just creating for a quick buck, than the passion & the time to make a really good effect that hits hard & works in the real world wont really be there anyway, & the trick wont sell a whole lot, & he wont last very long. But me personally, I always create for me first, than decide later if it's something I would sell, & would never sell anything that I wouldnt use myself or feel real passionate about, because if I woudlnt use it, how can I expect anyone esle to? So I too wouldnt recommend creating tricks SOLEY for the purpose of making money, do it for yourself first & foremost. Making money off of your creation is just a SIDE benefit of creating tricks, something that could make you some extra money on the side. So instead of saying, "If you havent read this, or watched that, or only have a couple downloads, you are not ready." Why not say something more positive like "Oh, so you want to create a trick? That's awesome! I would recommend you read this & that, watch this magician, hone your performing skills, also focus on performing etc etc etc., & good luck!"
 
Sep 1, 2007
723
2
Moore notice how everyone breaks up their paragraphs into thoughts so it's easier to read. I'm not sure what grade level you're in and I don't want to lecture you, but nobody is going to read that unless you organize the thing.
 
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