We've all seen it before. You scour Youtube and you come across a very poorly performed effect. You try to give the "aspiring" magician advice, but to no avail. He insists that the breaks the size of his thumb and his three-second long pass are satisfactory, and refuses to improve. This practice is now much more common to see due to the fact that any idiot with a camera can submit something to youtube, and I loathe the way this tarnishes our art.
It seems to me that often the people who obviously need to practice more are the ones who flock to show (or even force upon) their magic to everyone else. Obviously it is very common that the people who are complacent enough to perform a half-ready trick for someone are also the ones cocky enough to show anyone (willing or unwilling) their magic. Being somewhat of a perfectionist as well as an incredibly shy person myself, this was not the case for me. I don't think I showed anyone any magic that wasn't self-working until I was nine months in to the art, and was confident that the tricks I was executing would work every time without fail and that my patter was presented in a sophisticated manner that doesn't leave spectators unsatisfied. If one practices until an effect is flawless, he can take pride in how he can execute an effect very well without fail, and he will notice an immense change in reaction garnered by his strive for perfection. Once perfection is sought after with zeal, only then will a magician realize the even greater joy he garners from the reactions he receives. If you have practiced sufficiently, people will applaud you for it, and you will be constantly fueled by a need to get even better, to greater strengthen the effect your magic has on people.
Magic is an art, but it is an art treated like no other. If one dislikes a song, they believe that the artist is not for them. If someone hates a painting, they keep note that the artist is not to their taste. If a spectator does not like a magician, however, it reflects poorly on our art form as a whole, as well as the person forcing a poor presentation upon them. When performed flawlessly, our art is a beautiful thing. When performed ill-prepared, it leaves a sour taste in the mouths of those who were pretending to be interested while watching you set up your double lift right as they stare at the deck.
This thread was not meant to be a rant, but an attempt to convince at least one person that practice is imperative in order to make a good impression of our art. This includes patter as well as at least good, if not great or flawless, execution of the sleights you perform. Any unprepared trick may even leave a lasting impression upon a spectator about how magic is received (however small it may seem it the grand scheme of things). Remember that you could quit magic at any moment, but the impressions you leave from your performances could remain for much, much longer (whether they be good or bad). Not only this, but your reactions will thank you for your effort.
"Ars longa, vita brevis"
-Peter H
It seems to me that often the people who obviously need to practice more are the ones who flock to show (or even force upon) their magic to everyone else. Obviously it is very common that the people who are complacent enough to perform a half-ready trick for someone are also the ones cocky enough to show anyone (willing or unwilling) their magic. Being somewhat of a perfectionist as well as an incredibly shy person myself, this was not the case for me. I don't think I showed anyone any magic that wasn't self-working until I was nine months in to the art, and was confident that the tricks I was executing would work every time without fail and that my patter was presented in a sophisticated manner that doesn't leave spectators unsatisfied. If one practices until an effect is flawless, he can take pride in how he can execute an effect very well without fail, and he will notice an immense change in reaction garnered by his strive for perfection. Once perfection is sought after with zeal, only then will a magician realize the even greater joy he garners from the reactions he receives. If you have practiced sufficiently, people will applaud you for it, and you will be constantly fueled by a need to get even better, to greater strengthen the effect your magic has on people.
Magic is an art, but it is an art treated like no other. If one dislikes a song, they believe that the artist is not for them. If someone hates a painting, they keep note that the artist is not to their taste. If a spectator does not like a magician, however, it reflects poorly on our art form as a whole, as well as the person forcing a poor presentation upon them. When performed flawlessly, our art is a beautiful thing. When performed ill-prepared, it leaves a sour taste in the mouths of those who were pretending to be interested while watching you set up your double lift right as they stare at the deck.
This thread was not meant to be a rant, but an attempt to convince at least one person that practice is imperative in order to make a good impression of our art. This includes patter as well as at least good, if not great or flawless, execution of the sleights you perform. Any unprepared trick may even leave a lasting impression upon a spectator about how magic is received (however small it may seem it the grand scheme of things). Remember that you could quit magic at any moment, but the impressions you leave from your performances could remain for much, much longer (whether they be good or bad). Not only this, but your reactions will thank you for your effort.
"Ars longa, vita brevis"
-Peter H
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