Hey guys!!
I am not so sure my post actually "belongs" here, because I just cannot manipulate the cards the same way as most of you do. But I feel that enough sub topics have been thrown around enough on here for me to at least voice my opinion, for whatever that is worth. I will start with Cardistry:
When it comes to card magic, (and this may apply to all forms of magic), I strongly feel that there are two types of performance styles. Those who choose to openly display skill, and those that choose to make the audience think that it is "real magic" that is taking place. People like Lennart Green handles the cards in a way that makes the people he is performing for think that he is no better skilled at handling a deck of cards than they are. Then there are people like Eric Jones, who handles a pack of cards with a certain style of elegance and grace that makes the people he is performing for know that he has skills that cannot be met by any "layman". So how do my examples given relate to Cardistry? Well, I remember back to one of my first videos of magic, Easy To Master Card Miracles with the mighty Michael Ammar. In a few of his routines, he makes a comment like, "Ya know, when people see me do things like this...(he splits the deck equally and performs an S fan.),...they say boy would I hate to play cards with you!". I guess what I am trying to convey is that if you the magician are going to display visual skills with a deck of cards, I think it is important that you learn some Cardistry. Because we have the powers to manipulate cards without them seeing anything, so why wouldn't we be able to manipulate the cards right in front of their eyes? I think this plays with both performance styles I mentioned. Doing a 3-Fly routine, I see tons of magicians executing coin rolls. I think this is no different than a Sybil, or some other crazier-than-life-Andrei-Jikhy-like-move. Even executing the move Under Pressure displays skills than I would guess nobody in your audience could perform. I guess I am rambling, but I am trying to say that even though Cardistry/XCM/Whatever you want to call it, is separated from magic by a lot of people within this field, I feel that it is something that should be combined within our magic routines. Unless we are attempting to convey to the audience that we have no skill what-so-ever, and the magic is just well, I dunno...happening.
That ends Mindless Ramblings From Some Dude, Part. I...
Now, Let me move on to the part of the once again debated idea that Cardistry is not a performance art. First, let once again define the word "Art" as seen in your dictionary...
art/ärt/
Noun:
1. The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture,...: "the art of the Renaissance"
2. Works produced by such skill and imagination.
I guess what this defines could be limited only to the imagination. But if we were to attempt to place Cardistry into this equation, would it be that hard to do?
"...human creative skill and imagination, typically in a visual form..."
Cardistry is visual. Cardistry is creative and limited only to one's imagination. I think it fits. Dunno about you guys. But I will say that some even argue if art actually HAS a definition. I will throw in a little from an old art philosophy class I took...I will splice it here and there and attempt not to take away from the important points here.
Any definition of art has to square with the following uncontroversial facts: (i) entities (artifacts or performances) intentionally endowed by their makers with a significant degree of aesthetic interest, often surpassing that of most everyday objects, exist in virtually every known human culture; (ii)
art, so understood, has a complicated history: new genres and art-forms develop, standards of taste evolve, understandings of aesthetic properties and aesthetic experience change. Evidently, some of these facts are culture-specific, and others are more universal.
So that might have went over a lot of the heads reading this, but check out the underlined text...
Now that was located within one of my old textbooks, but I tend to agree with this philosophy: "Art is in a constant state of change, so nobody can really pin down what it is." The constant change part is true. One might even say "Art is subjective, and means something different to every single person on earth." This, too, is the truth.
So is Cardistry art? Sure it is. Whoever doesn't think so, please give specific reasons that counter my combination of the definition of art and Cardistry. Now on to one last ramble...
I kept reading in this thread a combination of the words "Cardistry" and "Performing". And while I agree, there are not many people out there who do perform Cardistry, there are just as many who practice magic but never perform it either. And speaking of performing, someone mentioned performing and skill. When it comes to "performing", you can be as skilled as you want to be, but if you don't have the chops to entertain an audience, or capture the audiences attention, then you are nothing. I like to use Eugene Burger as an example. While Eugene and his performance style suits him only...I look at the level of skill his effects need, and they are really nothing all that complicated. He relies more on the way he interacts with his audiences. And having spent quite a bit of time with him, I can absolutely say that he runs circles around his audiences. Again, with little technique needed. I mean, does he have hand chops? Absolutely. And I really do feel that a great amount of work is needed to fine tune certain moves to make them look like they are intended to. But at the same time, I feel more emphasis needs to be put on the WAY we perform for people.
Well, I am done rambling now. I hope I got across what I was trying to. I guess I will be able to find out here soon.
